How big and how long will depend on the style of the track and on how obvious you want the effect to be.
We also need a l ong decay time, and also a big room size if the option is available. You just need to create a send/return bus on your project, load your favorite reverb effect and set the dry/wet or mix knob to 100%, since we don’t want the dry signal here. This kind of transition can be tricky, especially if the energy also goes down, but this really simple trick usually works perfectly. Imagine a section of a track where there’s a lead vocal or synth grabbing all the attention, and then the track moves on to a quieter section where this leading element disappears.
#EASY DJ TRANSITIONS PROFESSIONAL#
This is why today we’re going to take a look at four different effects that are easy to use and really work, so you can give your track a professional touch. Some people use sampled based effects from libraries, such as sweeps, risers, downlifters and so on, and they are a great choice, but nothing beats creating your own effects out of the actual elements of your tracks when it comes to musical integration.
Transitions between different sections of a track are key to its development, since they help the music flow when they’re properly executed, but certain arrangement and structure decisions can make this process a bit more complicated.
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